Investing in art will always be a risky business. Works of art by definition belong to different categories; holding periods vary; the market is illiquid; art yields no income, producing only capital gain or loss; transaction costs are high. As for contemporary art in particular, it is a sobering thought that, according to Mr Moses, each year an average of only two artists emerge whose work increases in value over time. All this speaks against a big commitment to speculating in art; better, maybe, simply to buy what you like, if you can: treat your money, in other words, not as invested but as consumed.
21. By saying that the market is illiquid (Line 2, Para. 4), the author suggests that .
[A] art works seldom lose their value in the market
[B] investment in art does not have guaranteed return of profits
[C] the difficulty to trade art works is obvious and evident
[D] the art market tends to be responsive to the economic situation
22. The Fine Art Fund advise that investors need to spread their art allocation because .
[A] Old Masters always promise a high return of profits
[B] different art works are valued differently in the market
[C] buying art works is always a good way of investment
[D] people should be aware of the risks of investment in art
23. The returns on contemporary art indicate .
[A] people have come to see the value of contemporary art
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