(D) made multiple, identical copies of the work available for sale
(E) made the work resemble the art of an earlier era.
24. The author provides at least one example of each of the following EXCEPT:
(A) categories of art that are neither wholly fake not wholly original
(B) cultures in which the faking of art flourished
(C) qualities that art collectors have prized in their acquisitions
(D) cultures in which the categories "fake" and "original" do not apply
(E) contemporary artists whose works have inspired fakes
25. The author implies which one of the following about the artistie merits of fakes?
(A) Because of the circumstances of its production a fake cannot be said to have true artistic merit
(B) A fake can be said to have artistic merit only if the attempted deception is successful
(C) A fake may or may not have artistic merit in its own right, regardless of the circumstances of its production
(D) Whether a fake has artistic merit depends on whether its creator is accomplished as an artist