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发布时间：2006-06-23 11:57     点击：

(C) his scrupulous concern for representative details in his poetry

(D) his incorporation of Western European literary techniques in his poetry

(E) his engagement with social and political issues rather than aesthetic ones.

3. With which one of the following statements regarding Jubilee Songs of the United States would the author be most likely to agree?

(A) Its publication marked an advance in the intrinsic quality of African American art.

(B) It paved the way for publication of Hughes s The Weary Blues by making African American art fashionable.

(C) It was an authentic replication of African American spirituals and "sorrow songs".

(D) It demonstrated the extent to which spirituals were adapted in order to make them more broadly accepted.

(E) It was to the spiritual what Hughes s The Weary Blues was to secular songs and stories.

4. The author most probably mentions the reactions of northern White writers to non-Europeanized "sorrow songs" in order to

(A) indicate that modes of expression acceptable in the context of slavery in the South were acceptable only to a small number of White writers in the North after the Civil War.

(B) contrast White writers earlier appreciation of these songs with the growing tendency after the Civil War to regard Europeanized versions of the songs as more acceptable.

(C) show that the requirement that such songs be Europeanized was internal to the African American tradition and was unrelated to the literary standards or attitudes of White writers.

(D) demonstrate that such songs in their non- Europeanized form were more imaginative.

(E) suggest that White writers benefited more from exposure to African American art forms than Black writers did from exposure to European art forms.

(A) The requirement was imposed more for social than for aesthetic reasons.

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