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发布时间：2006-06-22 13:26     点击：

    25. Most canvases used by artists in the preindustrial United States were imported from Europe, but the wooden stretchers on which the canvas was mounted were always made from American wood. Retailers of art supplies, both in the United States and Europe, often stamped blank canvases with their names and addresses. Completed painting brought from Europe to America were frequently taken off their European stretchers for shipping and remounted on American stretchers after their arrival.

    A cultural historian could legitimately use the information in the passage above in establishing that a painting of that era done on

    (A) canvas sold by a European retailer and mounted on a stretcher of American wood is probably an American painting

    (B) canvas sold by an American retailer and mounted on a stretcher of American wood is probably an American painting

    (C) canvas sold by an American retailer and not mounted on a stretcher is probably not an American painting

    (D) unmarked canvas mounted on a stretcher of American wood is probably an American painting

    (E) unmarked canvas that is not mounted on a stretcher is probably not an American painting

    Questions 1-7

    A disc jockey is planning a new format for her program, which has eight slots numbered one through eight, consecutively. The program must consist of the following eight segments: one weather report, two commercials, one sports report, and four records, not necessarily in the order given. Each of these eight segments must be aired only once during the program according to the following conditions:

    The two commercials cannot be aired consecutively.

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